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The Un-Diplomatic Podcast

The Sum of All Fears (2002) w/ Max Read | Ep. 227

Free preview cross-over with the Bang-Bang Podcast. In this episode, Van and Lyle are joined by writer Max Read to dissect The Sum of All Fears, the 2002 film adaptation of Tom Clancy’s novel. The film thrusts CIA analyst Jack Ryan, portrayed by Ben Affleck, into a high-stakes scenario where a nuclear bomb detonates in Baltimore, pushing the U.S. and Russia to the brink of war. The movie’s release shortly after 9/11 adds a layer of poignancy to its themes of terrorism and national insecurity. The discussion delves into the portrayal of neo-Nazi antagonists manipulating global powers, a narrative choice that, while admirably distancing from the novel’s Middle Eastern villains, also anticipates our terrifying present. The trio likewise examines the character of Russian President Nemerov, a Vladimir Putin stand-in who, putting aside his central role in anti-Chechen violence, comes off as way too sympathetic in 2025. The narrative’s sanitized depiction of nuclear devastation, particularly the aftermath of the Baltimore explosion, earn well-deserved chuckles. Most of all, Max brings his media expertise on the “‘90s Dad Thriller” to the conversation, further offering stark relief to a current moment when such innocent and fun-loving thrills have been rendered quaint—perhaps even impossible.
Broadcast on:
21 Mar 2025

Free preview cross-over with the Bang-Bang Podcast. In this episode, Van and Lyle are joined by writer Max Read to dissect The Sum of All Fears, the 2002 film adaptation of Tom Clancy’s novel. The film thrusts CIA analyst Jack Ryan, portrayed by Ben Affleck, into a high-stakes scenario where a nuclear bomb detonates in Baltimore, pushing the U.S. and Russia to the brink of war. The movie’s release shortly after 9/11 adds a layer of poignancy to its themes of terrorism and national insecurity.

The discussion delves into the portrayal of neo-Nazi antagonists manipulating global powers, a narrative choice that, while admirably distancing from the novel’s Middle Eastern villains, also anticipates our terrifying present. The trio likewise examines the character of Russian President Nemerov, a Vladimir Putin stand-in who, putting aside his central role in anti-Chechen violence, comes off as way too sympathetic in 2025. The narrative’s sanitized depiction of nuclear devastation, particularly the aftermath of the Baltimore explosion, earn well-deserved chuckles. Most of all, Max brings his media expertise on the “‘90s Dad Thriller” to the conversation, further offering stark relief to a current moment when such innocent and fun-loving thrills have been rendered quaint—perhaps even impossible.

Further Reading

Max Read’s Substack

“‘90s Dad Thrillers: a List,” by Max Read

The Spook Who Sat By The Door, by Sam Greenlee

"Trump dreams of a Maga empire – but he’s more likely to leave us a nuclear hellscape," by Alexander Hurst

The Doomsday Machine: Confessions of a Nuclear War Planner, by Daniel Ellsberg

Command and Control: Nuclear Weapons, the Damascus Accident, and the Illusion of Safety, by Eric Schlossser

“The Man Who Knew Too Much,” by Lyle Jeremy Rubin

The Hunt for Tom Clancy Substack, by Matt Farwell

Free preview cross-over with the Bang-Bang Podcast. In this episode, Van and Lyle are joined by writer Max Read to dissect The Sum of All Fears, the 2002 film adaptation of Tom Clancy’s novel. The film thrusts CIA analyst Jack Ryan, portrayed by Ben Affleck, into a high-stakes scenario where a nuclear bomb detonates in Baltimore, pushing the U.S. and Russia to the brink of war. The movie’s release shortly after 9/11 adds a layer of poignancy to its themes of terrorism and national insecurity. The discussion delves into the portrayal of neo-Nazi antagonists manipulating global powers, a narrative choice that, while admirably distancing from the novel’s Middle Eastern villains, also anticipates our terrifying present. The trio likewise examines the character of Russian President Nemerov, a Vladimir Putin stand-in who, putting aside his central role in anti-Chechen violence, comes off as way too sympathetic in 2025. The narrative’s sanitized depiction of nuclear devastation, particularly the aftermath of the Baltimore explosion, earn well-deserved chuckles. Most of all, Max brings his media expertise on the “‘90s Dad Thriller” to the conversation, further offering stark relief to a current moment when such innocent and fun-loving thrills have been rendered quaint—perhaps even impossible.