Paul Barrosse joined me to discuss his influence of vaudeville and fifties TV comedians; working with Sid Caser at SNL; Dick Ebersol's host choices; Sid wanting more rehearsal time; he and Tim Kazurisnky fitting the same nichde so he knew he wouldn't get airtime; being in a comedy cabaret troupe with adults at 16; directing Threepenny Opera at Northwestern; student written comedy revues led to the Practical Theater Company; PTC had plays, improv revues and rock; improv was scripted beforehand; his theory of improv; how the Practical Theatre Company (himself, Brad Hall, Julia Louis-Dreyfus and Gary Kroeger) got hired for Saturday Night Live; their love for the Beatles; the network censoring him out of his part in his first SNL sketch, the PTC Club; letters about "A Christmas Message from April May June"; Nukes are for Kukes, Brad's guitar at Weekend Update and Dick nixing political and physical comedy; Davey Wilson nixes ideas if to hard to direct; difference between Letterman and SNL; writing a Tonight Show parody for The Smothers Brothers; writing Best Little Whorehouse on the Prarie for Robert Blake; Blake's being friendly only to him; Blake's hatred for Michael Landon and Hal Roach; writing Hell Bent for Glory for Dave Thomas and Rick Moranis, Battered Husband and My Friend Zeus for Gary Kroeger, and Guy Crazy for Beauand Jeff Bridges; memories of Stevie Wonder; Ed Koch; Northwestern University houses his sketches; his season only writers Ellen Fogle and Tracy Torme; was let go because he was hired at same pay as cast members and was most expensive and newest writer; he did not handle it well with Dick Ebersol who was friendly to him; went back to PTC; producing specials for TV Land including "100 Greatest TV Themes"; creating Little People, Big World; doing documentaries with Elizabeth Smart and Mary Kay Laterneau; his daughters, all of whom are now in show business; future shows of the Practical Theatre Company