Blake Edwards' 1980s remake of a Weimar-era German film about a gender-bending cabaret singer and the mobster who falls in love with her/him in 1930s Paris, starring Julie Andrews, James Garner, and Robert Preston, is a delightful creampuff of a movie that should have absolutely no relevance to the incredibly stupid political and cultural climate of the United States in 2023, and yet here we are. What a time to be alive.